Category Archives: For Your Entertainment
Japanese: Kirishima, Bukattsu Yamerutteyo (桐島、部活やめるってよ) – literally, “Kirishima, quit all the clubs”
Starring: Kamiki Ryunosuke, Higashide Masahiro, Ohgo Suzuka
Plot/Summary: In this heartbreaking film, it is a story about high school students being desperate about Kirishima’s disappearance. Here, Kirishima is the well-known team captain of the Libero team in volleyball. What reunited these students is Kirishima’s presence, but physically he’s not even existing. Here, it talks about normal life in high school and school clubs and their dilemmas.
Review: This film is actually a breakthrough and for the record, it is much, much better compared to the Thai movie, “First Love” (known in the Philippines as A Crazy Little Thing Called Love).
The elements of the story would be:
– Interaction between fiction and reality.
– Interaction between indie and mainstream.
There are reasons why I consider this one a better film to watch compared to First Love:
1.) The Kirishima Thing is more realistic as compared to First Love, in some way that there are NO elements that actually glorify superficiality.
2.) Some elements in The Kirishima Thing are actually found in Golden Slumber which are the lenghtening of not-so-important scenes, but these scenes serve as the independent variables that support some interesting series that are dependent variables.
3.) There is no such thing as competition in the good looks department. While The Kirishima Thing shows a lot of good-looking people, at least the story is about behing THE BEST in your craft and at the same time balancing your social life and your club that you’re into.
I did like the scenes wherein Maeda (Kamiki), Hiroki (Higashiede) and Sawashima (Ohgo) were the lead characters. Maeda is a film junkie (a geek), Hiroki is a non-participating baseball club member and Sawashima is an introverted saxophone player.
Here, this Japanese series is known for its style of combining elements coming from indie films plus mainstream entertainment.
Rating: 10/10 – Well, it’s obviously an award-winning breakthrough film.
One word: It’s a REAL masterpiece! It’s like the movies that I see in Screen Red!
Masato Sakai again, never fails to amaze the audience in this thriller-suspense, filled with comedy (oh, what do you expect with this guy? He’s like the Japanese version of Johnny Depp and Binoe!)! One thing that I really like about “Golden Slumber” is how he dealt with the conspiracy that framed him as the “perpetrator” of the Prime Minister’s assassination. It was life between the accused and the accuser–which are the heavy security who will do everything to capture Aoyagi Masaharu (Sakai’s character).
Well, what? I cannot say that this movie should be a 10/10. The ending is SOOOOOO bitin that Aoyagi ended up being the impostor himself. Therefore, I could either say that the rating ranges from 9.5-10/10 because of the ending. I really did not like the ending at all, and it’s much more disappointing than a typical deus ex machina–only a longer version.
The movie BTW, is derived from “Golden Slumbers,” by the Beatles. Well, not a fan of the song, though. I only liked the scenes where Masato sang in English (at last! HAHA)–and more LHD vehicles on the scene.
Overall, this is recommended to watch if you’re learning more Japanese phrases and also, if you’re into thriller movies. Nothing is really boring with Masato-chan!
One thing that I could say about the entire video: ERMAHGERD it’s awesome! I would err… give a lot of comments regarding this one.
First of all, it seemed that all of the cast have these two things: CAMARADERIE and TEAMWORK, which I think is something that even Filipino artists and celebrities should observe while on the set. Have you ever heard of some issues regarding Yui Aragaki and Masato Sakai being involved with one another like, they’re “ON” as in they’re officially together off-cam? I don’t think so.
I really do have more respect towards Sakai-sama for his professionalism as an actor–there is NO SUCH THING as TAKE TWO when he’s the man–in fact, he does excel in his craft the hard way, and you could see that he’s really a hardworking actor. There are also scenes where he helps and teaches his co-actors on their roles, lines, preparation–you will see his professionalism, which I think the younger generation of Filipino actors should imitate. Masato Sakai should be looked up to and be a ROLE MODEL to these young actors.
This also made me respect Yui Aragaki more–I really think she’s waaaaaaaay better than those other actresses who are just “pa-cute” and OA in the Japanese entertainment industry. She may not be one of the “most excellent” Japanese actresses we know, but acting-wise, she is not as over-acting as other Japanese actresses who do nothing but being pa-cute. She has been improving after watching Hanamizuki, when she shifted from being a high school student towards being a career woman. However, I don’t think she’s still ready to become a serious career woman–actually, her co-stars, Ryoka Suzuki, Eiko Koike and Ryoko Hirosue (SP) could actually pull off the “professional look.” I could not even imagine Sandara Park pulling off the “professional look” as well, and same other East Asian actresses, well of course, exceptions would be Zhang Ziyi, Shu Qi, Cecilia Cheung and other East Asian actresses who serve as the “mediator” between pa-tweetums, pa-cute versus the “matured” look.
Their CAMARADERIE and TEAMWORK is of course, unquestionable. Legal High wouldn’t be as impressive as what we think of it if there are such issues na “nagkatampuhan” si ganito-ganyan, and “pakapalan ng mukha” is only manifested when shooting a scene. For instance, Sakai-sama really showcased his prowess on Episode 9–patuloy-tuloy niyang ipinahayag ang kanyang mga linya’t hindi maitatanggi na padalos-dalos lang, walang interruptions. If some of you people think that Sakai’s acting is over-acting, then fuck you! The reason why he IS a good actor and WON many awards is because of his dedication, passion and err… love for his craft. Remember that he was theater-trained in Waseda, while majoring in Chinese literature, and his love for reading is actually one of the strong points when he memorizes his lines–for him I guess, it’s not a matter of memorizing lines. It’s about putting emotions and placing yourself as the character–which some of the “lamest” and “lousiest” actors failed to do.
Side Note: No wonder, Ina, Kapatid, Anak is plagued with surrounding controversies with the Kim-Maja hulabaloo–check out PEP for those details. I don’t think maganda talaga ang denouement ng teleserye is mainly because of the off-screen conflict. This also applies to Dahil Sa Pag-Ibig. Bakit madaling natapos ang teleseryeng, starring Piolo Pascual, Rafael Rossell and Jericho Rosales; Cristine Reyes, Denise Laurel at saka ni Maricar Reyes? Tapos ‘yung mga ibang BIGATING artista pa ‘yan, ah? Well, simple: Cristine Reyes is simply a NUISANCE! In Legal High, NONE of the actors there are prone to controversies, as opposed to most Filipino actors who are pa-controversial (which are often rejected by GMA and welcomed by ABS-CBN through casting couch). Whatever issues they had, at least they are still keen on their privacy and only give a few details about their personal life, as opposed to Filipino actors, isang isyu pa lang, pagpi-piyestahan na ‘yan. Also, don’t get me started when I bash pa-controversial celebrities–telling me that “tao” rin sila. Well, I find veteran actors more human than those actors who are pa-controversial–most of them are beyond superficial!
I also liked the scene where the entire cast and crew celebrated Gakky’s birthday. It’s like work and at the same time, bonding. There are NO moments where you’ll see them having conflicts with one another, and whatnot; plus, what I really liked about this one is that, there’s no such thing as superiority complex among them. In other words, PATAS lang. Even Masato-chan treated his co-stars as good friends, so the series turned out to be a masterpiece, rather than a nuisance.
When looking at the actors, the cast and crew, they’re really PROFESSIONAL in their fields. Ha! I think AA should learn from these actors if she wants to be a well-respected actress in Japan. Whatever controversy AA does, it equates losing face in Japan, and it would be much worse if she’s in Korea (ask Roxyisferox, since I’m not a fan of Korean entertainment). Also, what I liked about these actors is that, they laugh at their scenes, meaning to say that they don’t think that their final scene is perfect. Masato-chan was simply, bleh(!) when he saw his scene–it means that he’s used to watching himself all over and over again.
This is one thing that I really like about the Japanese entertainment industry–when non-JE actors are involved right here. Most of them would actually improve their craft by being cooperative towards their co-actors, and there is NO SUCH THING as crab mentality. Work habits through the Japanese way shows that they learn how to make things effective–in a way that the series will be SUCCESSFUL.
I don’t expect the series to be 100% perfection–I only expect the best in the series, and there’s no certain formula to create a successful and a watch-able TV series, which the Filipino entertainment industry must learn a thing or two.
Well, if you’re an anime fan, you might as well be familiar with Yoko Kanno–she’s anime’s top composer and of course, musician behind all these anime OST. She’s one of the reasons why I still love everything Japanese–but one of her singers captured my eye, and that is no other than Origa.
Yep, that’s right. Origa is one of Yoko Kanno’s partners in crime who has been contributing to anime for so many years and yet she is still EPIC!
First time hearing Origa speak in English! However… it’s a good thing she could still remember the songs that she popularized!
Another angle of the performance.
Her voice is still ethereal… and powerful at the same time! LOVE HURRRRR FOREVAH!
A rare music video of Origa’s Polyushko Polye
I cannot believe that Origa also has a music video of her songs… but yeah. It’s too rare after all.
STILL cannot believe that I’m still a fan of hers up to now. ;D
Ever since, I am a Cartoon Network junkie. However, one of the now-defunct cartoons is still much better than the newer ones that are aired (except Adventure Time and Chowder).
Even though Disney and Nickelodeon are better than CN, nothing beats the presence and the impact of this channel.
Here, I’ll show you this… cartoon, called “The Addams Family.”
This is not a horror cartoon. n fact, this is a macabre cartoon with loads of humor with it.
Naaah, the old cartoons are much better than now. Ugh. Parang hindi na maa-appreciate ng mga younger generation ang mga new cartoons rather than the old ones. Of course, the old cartoons are better and more fun, though!
Hanamizuki is about a story of two lovers who met on a train. Sae is aspiring to enter Waseda University while Kouhei is a fisherman in Hokkaido. At the beginning of the movie, Sae goes on a journey to go to where she was born: Nova Scotia, Canada.
Well, I really cannot tell the synopsis! Just watch the movie if you want to find out more!
I really find the movie very interesting. It is like the interaction between fiction and reality (yes, check out my original Osaka Monogatari).
Goodbye, Ravi Shankar
Believe it or not, he’s an epic!
cnn.com|Such a legend that brought Indian music to the West, bravo!
Seriously, he reminds me of Sri Lankan-born sports writer Ronnie Nathanielsz, only that he does music!
He discusses how to play the sitar.
I’d say that he’s really a legend, a Pandit who brought classical Indian music to the West.
His ageing aura indicates how he lived for 92 years!
…with his collaboration with George Harrison
Rest in peace, Pandit Shankar. You’ll always be remembered.
Yeng Constantino CD
Finally, I got this CD! 😀 The songs are really great, and it shows that she’s a great singer. Hope that ABS-CBN would make her mainstream.
They both turn 24 years old today! Can’t believe they’re really THAT old, but not to worry, there are some other people born in 1988:
Adele (she does look older than her age)
However, I’d say that Mario Maurer does resemble AJ Perez in some angle, and they’re both charming. Same with Yeng resembling Koo Hye Sun (who sometimes remind of Jessy Mendiola).
Right now, Yeng is celebrating her birthday in China, dunno with Mario.
But anyways, HABURDAY to you peoplez!
Bjork is one of the raspy-voiced singers with exceptional talent — she does not only sing, but also, she could also imagine something really exceptional — unlike other singers, she could actually sing about nature, politics, aside from simple love songs; an she could pull that off. You cannot imagine Lady GaGa or maybe Ke$ha doing the same thing.
Singing Oceania in Icelandic
Bjork in Atta Raddir, an Icelandic TV show
Bjork expresses her love for country — Icelandic pride!
Bjork moved from her native Iceland to the United Kingdom to pursue a solo career after she became part of the Sugarcubes. One reason why I admire Bjork in some way. She really made Iceland placed on the map — just like these artists/celebrities:
Charlize Theron – South Africa
Amuro Namie – Okinawa, Japan
Regina Spektor – Russia
Heidi Klum – GermanySophia Loren – Italy
Marion Cotillard – France
Kylie Minogue, Nicole Kidman, Hemsworth Brothers, Miranda Kerr – Australia
Pierce Brosnan – Ireland
Natalie Portman – Israel
Greta Garbo – Sweden
Audrey Hepburn, Kate Winslet, Keira Knightley, Robert Pattinson, Alex Pettyfer, Orlando Bloom – UK
Famke Janssen – The Netherlands
Milla Jovovich – Ukraine
Antonio Banderas, Penelope Cruz – Spain
Salma Hayek – Mexico
Shakira – Colombia
Asia Argento – Italy
Audrey Tautou – France
Franka Potente – Germany
Ivana Baquero – Spain
The Uniqueness of Bjork Gudmundsdottir
Bjork is very unique. Call her “weird,” but she’s not as mainstream-ish weird like Lady GaGa, or maybe retro-cutesy like Katy Perry, or maybe trashy-punkish like Ke$ha. Bjork is an experimental singer — she is a definition of an artist.
Right, Justin Bieber?
When she sings, she talks about nature (Oceania, Biophilia songs, Nattura), politics (Declare Independence) and patriotism (Joga). Also, she also does storytelling (Bachelorette, Isobel).
Now what’s even very special about her is that, her weird costumes and out-of-this-world music videos (mostly directed by Michel Gondry) really make her stand out, and imagine that the Japanese really loved her so much that she’s hailed there (you know naman, Japanese people embrace weirdness).
Also, you won’t question it if Bjork wins an award due to her uniqueness — no other artist could pull off the avant-garde style that Bjork has.
When I was in high school, I would usually defy the social norm of worshipping mainstream popular music by rather leaning onto Bjork, Chick Corea and Yoko Kanno. Amy Winehouse is also included. Yeah, I really do not like mainstream music after all, except when you listen to Lady Gaga or maybe Japanese composers like Junichi Nakatsuru (the real legend!).
Unfortunately, Bjork is not that popular in the Philippines. Her target is usually countries that have first-world standards — countries that do not simply lean onto pop music alone. Singers alongside her only target first-world countries which is really even sad because third-world countries cannot even at least, try to understand her a bit. They would rant out and think that “No, this is not music! These are all… messy.” If you think that Bjork is nothing, why can’t you ask music critics? After all, they could really choose Bjork over Willie Revillame.
Cross-over between weird and mainstream
Overall, I think that Bjork is really fantastica!
Well, it makes me want to tackle about Icelandic culture.